THE CITY MOVES AT BICYCLE SPEED

THE

REASON

FOR

COPENHAGEN

As the second chapter of the Voyage Series, the Spring Summer 2027 Mainline arrives in the long light of a Scandinavian summer. Copenhagen becomes the new landmark — a place whose rhythm, ease, and design sensibility shape the wardrobe as surely as its map.

When summer lands, the whole city starts to live. The harbour turns into a swimming pool. The pavements turn into terraces. The day stretches past midnight and nobody wants it to stop.

Copenhagen runs on a quieter engine than other capitals. Almost everything here happens at the speed of a bicycle — the commute, the shopping, the slow drift home at three in the morning when the sun is about to rise again. Water on every side, a park in every gap, palaces around one corner and a reclaimed shipyard turned into gardens around the next. Design everywhere:

The unspoken kind, the chair you sink into without ever learning its name. This is the design capital of the North, and it carries the title the way it carries everything — without dominantly mentioning it.

Summer Leaves Behind the Taste of… Copenhagen is cut for exactly the long Summer Day — Urban Tailoring for the saddle and the long evening, for the ride to the bakery and the hours spent doing nothing in the grass.

The tailoring loosens, widens, lets the air through. Classics, but unbuttoned. Worn like it costs no effort at all — the particular Scandinavian trick of looking immaculate and completely unbothered at the very same time.

Copenhagen joins the V oyage as its second landmark — a place whose light,ease, and design shape the wardrobe as surely as its map.

THE CITY MOVES AT BICYCLE SPEED

THE CITY MOVES AT BICYCLE SPEED

A GLIMPSE OF COPENHAGEN

MOVING THROUGH

THE CITY

THE COPENHAGEN CODES

FOCUS

ON

THE PRODUCT

The Mainline is built across three material worlds:

Raw and Refined: Denim, interpreted Scandinavian with a true CG - CLUB of GENTS approach. Future Fabrics: The engineered part of the season and last but not least Textured Layers: Summer you can feel.

The tailoring loosens, widens, lets the air through. Classics, but unbuttoned. Worn like it costs no effort at all — the particular Scandinavian trick of looking immaculate and completely unbothered at the very same time.

The colours range across every blue the city owns: from indigo to undyed offwhite, burned orange, warm brown — lifted from the painted houses and the ochre of Nyboder. Washed checks for a Nordic gingham hush. Never loud, always alive.One motif ties it together: The Little Mermaid. Copenhagen's smallest icon — redrawn across shirts and bandanas as a subtle wink.

Further silhouettes, Scandinavian in reference, unmistakably CG in execution.

Jackets, blazers, and suits across cuts that range from architectural to entirely effortless — structured where it counts, soft everywhere else. The three-button jacket returns in easy summer fabrics. Ultra-wide denim as the trouser silhouette of the season — proportions drawn from Nordic workwear tradition, reinterpreted with the precision the brand demands. The kind of denim that works on a bike at nine and in a meeting at ten.

Summer knitwear and jersey complete the picture in seasonal colours — the warm browns, indigos, and offwhites of the collection palette — alongside NOS colour additions that extend the core wardrobe into the next appointment, the next city, the next chapter of the Voyage.

DENIMS AND ROUGHS

RAW & REFINED

Denim, interpreted Scandinavian — and entirely CG. The silhouette is wide: ultra-wide leg trousers with workwear roots, worn with a matching jacket or a denim blazer cut with real tailoring construction. Built around denim as its core, the world completes itself through the pieces around it. Blazers and jackets in complementary fabrics and patterns — checks, textures, and weaves that carry the same ease as the denim beneath them.

All in two colour directions: a blue group running from indigo through washed mid-blue, and a lighter palette of offwhite, sand, and warm brown. Pieces that work individually and read as a total look without ever being asked to.Workwear that walks into the office and is entirely at home on a bike saddle at nine. Raw in reference, refined in execution.
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COTTON AND LINEN BLENDS

TEXTURED LAYERS

Summer you can feel. Linen and cotton blends with surface and weight — pieces that carry the warmth of the season in their texture rather than their construction. Washed checks in a Nordic gingham hush. Lightweight knitwear in the tones of the collection: warm brown, burned orange, offwhite. Jersey in seasonal colours and NOS additions that anchor the look without competing with it.

The three-button jacket in easy fabric, worn open over jersey. The knit over wide linen trousers. Layers that add depth without adding weight — the particular Scandinavian trick of looking considered and completely unbothered at the very same time.
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ADVANCED MATERIAL BLENDS

FUTURE FABRICS

The engineered part of the season. Advanced material blends that move with the body and hold their line through the heat — composed from first coffee to last bar without showing the distance in between. Technical construction in plain summer clothes: Just fabric that does what it promises and looks like it never had to try. Suits and separates built for the Copenhagen day in full — the ride, the meeting, the long evening that refuses to end.
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THE MOTIVE

LITTLE MERMAID

She sits where the city meets the water — small, still, and entirely Copenhagen. The city's most visited statue that is smaller than you initially think. A figure at the harbour's edge, present without insisting.

Redrawn across shirts and bandanas as the motif of the season. A quiet nod to the city that shaped the collection — its water, its light, its way of carrying meaning without making a point of it.
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